The series "muendig-hoerig" explores when and how we consent to the game of musical interpretation. How do professional and hobby instrumentalists (and singers) react to to a task of simply copying themselves? How do they react, when live electronics modify the sound so that copying becomes impossible? How can you trick the system? And what happens, when you ignore the task completely?

This third part of the series is interested in a playful approach. Maybe winning isn't so important, and it can just be duet between human and machine.

( Short rounds, drop in anytime )